ilikelookingatnakedmen:

maxkirin:

slytherihn:

Hate that horrible silence while you’re working/studying? Perhaps your music is annoying you? Or maybe you just want to relax. Try these to help you fill the silence:

Try these out and you’ll feel yourself focusing a little more.

Also, if you have a Mac (or any smartphone) you should checkout the sound apps by Ipnossoft! They have a bunch of free sound apps that let you mix-and-match sounds to create a melody of your choice c;

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Quiet Clffs = Ocean + Flute + Shore

This is also another handy app for writers~ ♥︎

I clicked through to the USS Enterprise link and yuhhjuyngbtdghjn

freeglassart asked: You may get asked this a lot, so please excuse my ignorance - but how do you go about constructing character expressions and body language and such? Thanks!

typette:

makanidotdot:

Besides The Basics (construction of heads and skulls and muscles and skeletons and how they move), I’ll go over some things I’ve been trying to work on myself lately:

1. Treat expressions as a single gesture of the face/head, as opposed to a head and then individual features dumped on a plate and arranged into an expression.

First, just get down the big shapes of your expression, just like you would for a pose.  

So say I wanna do a low angle angry pose.  I know the features are gonna be all mashed down at the bottom because of perspective.

 Scribble it down

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start to put on features

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fix stuff

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put on more stuff

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fix stuff again

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erasing and flipping and stuff a whole bunch until you are happy with it or stop caring

Whole head is a gesture!image

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2. Just like a facial expression, jot down where the important parts of an entire pose goes first.  You can force the rest of the body to fit the pose.

So here I knew I wanted the shoulders tilted a certain direction, and te hand to be in that particular position in front of her face. 

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That’s the simplest explanation I got.  Don’t be afraid to push and pull faces and bodies around! Worry about being “on model” last!

it’s nice to see how others do stuff like this, everyone is different but there’s something to learn from everybody!

samurottedge:

Since it was Munday, I decided to do a small art reference project for myself. And then I decided to make it public with the following notes.

From Left to Right, Top to Bottom:

What NOT to do (front):

  • Don’t chicken wing your arms! Although it might be easier to hold the rifle, you will make yourself a bigger target.
  • Don’t close your one eye! You will lose your depth perception, which is crucial when you are on the move, or are trying to determine how far away your target is
  • Don’t keep your legs haphazardly strewn about. You need to make sure you’re balanced!

What to do (front)

  • Keep both eyes open
  • Bend your elbows downwards and towards the ground to make yourself a smaller target
  • Bend your knees to control the gun’s recoil + be ready to move.

What NOT to do (side)

  • Don’t put the stock above your shoulder
  • Don’t lean back.
  • Both of the above reduce your control over the weapon and may result in a black eye, and the rifle flying backwards and out of your hands.

What to do (side)

  • Bury the stock of the rifle into the meaty part of your shoulder
  • Lean into the gun to keep the gun under control when the recoil of the gun kicks the gun upwards or to the side
  • Bend your knees slightly to lean forward, as well as make yourself a smaller target

Patrol/Relaxed Stance

  • The soldier is relaxed and is most likely moving around.
  • His eyes are searching for possible threats
  • His hands are still on the rifle, even if he has a sling on

Low Ready Stance

  • Possible threat has been detected
  • Entire body shifts towards threat direction
  • Stock is shouldered 
  • Eyes are focused on the possible target
  • Gun barrel is pointed in the target’s general direction, but not directly at the target.

Firing Stance

  • Immediate response
  • Soldier fires off shots while screaming to the other people in his team
  • "CONTACT!" or "THREAT!"

rubycurls:

here’s that color tutorial some of you have been asking for! this is super wordy, but I promise everything I wrote is important (and I could write more, color theory is so complicated man) sorry for the terrible design, believe me the graphic design side of me is cringing too

The final drawing!

coffeeandcockatiels:

paperbeatsscissors:

the struggle is real

Tiniest foot tutorial. Can add toes or just have shoe. Is good. Have day.

asylum-art:

Adam Ferriss 

Artist on Tumblr

Adam Ferriss is a photographer and digital media artist based in Los Angeles, CA. In addition to his artistic practice, Adam runs the photography labs at Otis College of Art and Design. His most recent projects involve creating tri-chromatic color separation photographs and algorithmically restructuring pixel array data.

ovopack:

Bear warrior

pissyeti:

wanted to draw Eyeball Dude again. possibly possessed by a demon that is slowly inhabiting his physical form? who knows.

sfilate:

Prada S/S 2008 Beauty